![]() ![]() This way, the folder title will show up when you click the LUT drop-down allowing you to choose from each set. If you’re working with more than one LUT at a time, you can import an entire folder at once. ![]() Simply slide left to reduce the intensity and fade the effect or leave the slider at 1 (all the way to the right) to leave the effect at 100% intensity. You can adjust the intensity of a LUT once you’ve applied it to your clip by adjusting the ‘Mix’ slider. cube file and click ‘Open’ to apply the effect to your clip. For this tutorial I’m using the cinematic LUTs pack.įind the. This will open up your files allowing you to find the LUT of your choice to apply to your clip. Click the drop-down bar next to LUT and select ‘Choose Custom LUT…’. Once you have that showing, you’ll see the Custom LUT effect applied to your clip. You can show/hide the inspector by clicking the button in the top right of the screenshot below with the three lines and sliders on it. Now for the next part, you need to make sure the Inspector is showing. Choose a Custom LUT to Apply to Your Clip Add the ‘Custom LUT’ Effect to Your ClipĪfter you open the Effects Browser, click ‘Color’ in the left tab and look for the Custom LUT effect on the right side once there.Ĭlick and select ‘Custom LUT’ and drag it over to apply on your clip.Ĥ. These include 360° and VR video, distortion effects for audio, keying/masks, and of course the color presets along with the Custom LUT effect.ģ. The Effects Browser is home to hundreds of effects you can apply to both video and audio components of your project. Once you have your clips ready, navigate to the right side of your screen and click the two overlaid boxes icon to show the Effects Browser. You can create a project to organize all of the footage into one end video. I'm always open to new ideas and opportunities, so please get in touch at editor (at) fcp.co.Start by importing the clips you’d like to use for your project. This involves managing a Zoom Webinar through Restream.io to YouTube and Facebook. Now in its 10th year and 4th redesign, running FCP.co has given me knowledge on how to run a large CMS- you are currently reading my bio from the database! Although it sounds corny, I am pretty well up on social media trends & techniques, especially in the video sector. The recent Covid restrictions has enabled live FCP.co shows online. Having a good knowledge of editing allows me to build-in flexibility and more importantly, usability. I also take on custom work, whether it is adapting an existing plugin for a special use or designing new plugins for clients from scratch. One free plugin was downloaded over a thousand times within 24 hours of release. It hosts a range of commercial and free plugins on the site. I'm the creative force behind Idustrial Revolution, one of the oldest Final Cut Pro plugin developers. ![]() I was lucky however to edit, from home, on projects for Amazon Kindle, Amazon Black Friday, Mastercard and very proud to have helped local charitable trust Kendall & Wall secure lottery funding.Īs for software, my weapon of choice is Final Cut Pro and Motion, but I also have a good knowledge and broadcast credits with Adobe Premiere Pro, MOGRT design and Photoshop. This is currently an Adobe Premiere edit.Ĭovid cancelled some of the regular corporate events that I edit such as trade shows & events. I'm proud to be part of a very creative team that has pioneered many new ideas and workflows that are now industry standard in sports' production. The Tour was the first broadcast show to adopt FCPX working for multiple editors on shared storage.īBC's Snooker has played a big part in my life, I've been editing tournament coverage since 1997. ![]() 2020 was my 25th year of editing the TdF and my 20th year as lead editor. The shows have also been nominated for a 2021 BAFTA.Īlthough both were postponed to later in the year, I worked again on ITV's coverage of the Tour de France and La Vuelta. It has been recommissioned by C4 for 60 episodes, including prime-time versions and five themed programmes. It has been a great success and the shows grabbed more viewers in the 4pm weekday slot than any previous strand. I also designed and built the majority of the graphics as Motion templates. Though I haven't yet tried to herd a flock of sheep through the city centre! Current EditingĢ020 has been busy, the beginning of the year was finishing off a new property series (cut on FCP) for Channel 4 called The Great House Giveaway. I was made a Freeman of Lichfield through The Worshipful Company of Smiths (established 1601). Under the name Idustrial Revolution, I have written and sold plugins for Final Cut Pro for 13 years. I have also worked as a broadcast and corporate editor for over 30 years, starting on one inch tape, working through many formats, right up to today's NLEs. I am the Editor-in-Chief of FCP.co and have run the website since its inception ten years ago. ![]()
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